Footage in, master out.
No export between rooms. Every department works off the same live project — here's exactly how a film moves through FRAMEON from the first card to final delivery.
The eight stages
Dailies
Camera cards synced, organized, and tagged onto shared storage the same day they're shot.
Edit
Assembly through picture lock, across two editorial suites on Avid Media Composer and DaVinci Resolve.
Picture lock
Conform confirmed. Locked picture moves to color and sound in parallel — no waiting in a queue.
DI & color
Creative grading and look development in the dedicated DI suite, on calibrated Eizo reference monitors.
Sound
Dialogue edit, ADR, Foley, sound design, and final mix — including Dolby Atmos where the delivery calls for it.
QC
Picture and sound checked together against delivery spec before anything is called final.
Review & sign-off
Final grade and mix confirmed together in the 30-seat, 4K Dolby Atmos theatre — the room your audience will actually sit in.
Mastering & delivery
DCP, IMF, OTT, or broadcast deliverables — mastered to the exact spec the platform requires.